There's more, according to Veer: 'There's the Neural Interface Matrix in BD versus the Neuro Comp Matrix in AL, the presence (and relevance to the plot) of a robotic expert in the Vault, the feel of the central atrium, the quasi-exclusive robotic cast confronted to a murder, the misleading piece of evidence (Keith/Rolland), among others.' Then there's a 'let's discuss paintings with a robot' bit in both. Veer mentions the importance of voice modulators in the plot, used to distinguish the robots between themselves, as well as the 'sexy time' moment that occurs in both. Then, as Veer states: 'The mysterious death of the prime financier of the Vault, who - in both cases - worked alongside Vault-Tec to build the special place.' Fallout 4. The main quests for both involve investigating a murder by checking the crime scene, then speaking to every robot in the Vault. Many quests in the post-apocalyptic universe begin by having you speak with someone behind a big vault door before they let you in.īut then, as Veer points out, the similarities between Brain Dead and Autumn Leaves become more striking. That's not too surprising a beginning for a Fallout quest, of course. The big mandatory Vault Door opens, leaving the player up for the exploration of said vault.' 'First off,' he writes, 'both quests begin with a discussion through an interphone with the caretaker of the Vault, a head-waiter robot with a rather distinguished persona.

Veer runs through the comparisons in some detail in his post. Far Harbor's Brain Dead has pretty much the exact same setup. Autumn Leaves features a colourful cast of eccentric robots who are in charge of a forgotten Vault in which a strange murder took place.

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